Travels

Discovering Discovery Bay by erwin lian

My first month in Hong Kong:

Adjusting to life here has proven to be quite an interesting experience so far. Restarting in a new place is always challenging, and I'm allowing myself the time needed to build the necessary momentum and rhythm.

Without proper gears and equipment, I'm making the most of what I have. Yesterday, I explored Discovery Bay with an old college classmate, a place that doesn't quite feel like Hong Kong and offers some unique quirks.

I sneaked into the Marina Club but was kicked out after they discovered me. Didn't complete my painting and I have to walk around to find another spot. This spot really wasn't ideal and it was on a slope but I decided to give it a go.

I had a curious incident at the Marina Club, where I attempted to sneak in for a painting session but was promptly kicked out upon discovery. Undeterred, I didn't complete my painting and had to search for another spot. Despite the less-than-ideal conditions—no easel, no chair, plenty of mosquitoes, and a scorching sun—I decided to give it a go on a slope.

No easel. no chair, plenty of mosquitoes and a scorching sun were some of the annoying issues I dealt with for this first plein-air.
Ta-dar ! I did it. Not exactly my best work but hey I stayed committed till the end. 

Ta-dar! The result may not be my best work, but I stayed committed till the end.

Personal cars aren't allowed in Discovery Bay and people have to buy these over-priced golf bungees that costs a few million dollars if they want a  vehicle. 

In Discovery Bay, personal cars are not allowed, and people have to invest in overpriced golf buggies, costing a few million dollars if they want a vehicle. Despite the expense, the area is less crowded, offering a unique escape from the hustle and bustle of Hong Kong. 

Way less crowded in Discovery Bay and it felt like I been transported out of Hong Kong. 

Way less crowded in Discovery Bay and it felt like I been transported out of Hong Kong. 

I walked all over and couldn't find a good spot with shade to paint or sketch. Eventually, I just sat down and drew some people around me.

During my exploration, I couldn't find a good shaded spot for painting or sketching, so I settled for sitting down and drawing the people around me.

couples and their poses

couples and their poses

Thankful to have great friends from College in Hong Kong. Hung out with Queenie and her family 

Thankful to have great friends from College in Hong Kong. Hung out with Queenie and her family 

Sophie posed for me and I did a fast sketch of her. 

Sophie posed for me and I did a fast sketch of her. 

So far, my life in Hong Kong has been good. Contrary to warnings about judgmental cultures, the locals have been friendlier than I anticipated. While I can't control others' perceptions, I choose to focus on bringing my jovial best to my time here.

 

 



 

 

A new chapter in Hong Kong by erwin lian

Embracing a departure from my past successes and familiar surroundings, I recently made a bold choice to relocate to Hong Kong. This new chapter has proven to be quite intriguing. However, due to space constraints, I couldn't bring many art supplies or sketchbooks, prompting me to rely on my iPad for most of my recent sketches.

On a positive note, I've successfully revamped my sleep pattern and now engage in daily gym sessions at 5:30 am.

30 Kg was all I can bring. Heavy enough to make me feel the weight of baggages . 

30 Kg was all I can bring. Heavy enough to make me feel the weight of baggages . 

I moved into a tiny but nice place with a community of friendly people from all around the world. 

I moved into a tiny but nice place with a community of friendly people from all around the world. 

Jack and Kenny. Two of the many friendly staffs who manage the apartment that I am staying at

Jack and Kenny. Two of the many friendly staffs who manage the apartment that I am staying at

The passengers I recorded during my commute one day. Many interesting faces in this uber dense city.

The passengers I recorded during my commute one day. Many interesting faces in this uber dense city.

I decided to teach art in a secondary school here in Hong Kong.

Our principle giving us, the new staffs an opening speech during our induction program

Our principle giving us, the new staffs an opening speech during our induction program

Induction program continues with more information. HR, Finance, IT, Teaching for Learning .....the whole nine yards...

Induction program continues with more information. HR, Finance, IT, Teaching for Learning .....the whole nine yards...

Induction program pauses with a school gathering in a Hotel with team bonding activities and tasks. Didn't have an ipad so its down to the hotels' pen and paper. There was a painting competition to draw a sun ...and I rubbed some pigment on the canv…

During the induction program, there was a school gathering at a hotel featuring team bonding activities and tasks. Lacking my iPad, I utilized the hotel's pen and paper for the events. One memorable occasion involved a painting competition where the task was to draw a sun. Using some pigments and canvas, I submitted my creation. To my surprise, I won the competition with a humorous touch – a reminder that sometimes improvisation leads to unexpected victories.

Induction program continues

Induction program continues

More induction program with more information. 

More induction program with more information. 



 


 
 

Sketch Bhutan June 2018 by erwin lian

Last week marked the successful collaboration with Drukasia for Sketch Bhutan 2018, a unique sketching tour. Similar to the previous year, participants from Australia and Singapore joined the all-inclusive tour, engaging in the art of sketching and painting while exploring the captivating landscapes of Bhutan over a 7-day period.

Flight to Bhutan via Drukair

Flight to Bhutan via Drukair

Tiger nest sketch 

Tiger nest sketch 

Tashichho Dzong, Thimphu

Tashichho Dzong, Thimphu

Chimi Lhakhang , Punakha

Chimi Lhakhang , Punakha

Thimphu from Namgay Heritage

Thimphu from Namgay Heritage

Live drawing of Sangay

Live drawing of Sangay

Chimi Lhakhang, Punakha (36.5 cm x 24 cm)

Chimi Lhakhang, Punakha (36.5 cm x 24 cm)

Punakha Dzong, 37.5cm x 21 cm)

Punakha Dzong, 37.5cm x 21 cm)

Shop houses opposite the post office. (26 cm x 18 cm)

Shop houses opposite the post office. (26 cm x 18 cm)

Tashichho Dzong 27 cm x 12.5 cm

Tashichho Dzong 27 cm x 12.5 cm

The backstory to and Foundation of Sketch Bhutan:
Around three years ago, the journey began with a month-long volunteer experience in Bhutan, where I served as an art coach in primary schools and organizations.

Taught drawing to Shaba Primary and donated some art supplies to their art club.

Taught drawing to Shaba Primary and donated some art supplies to their art club.

During this period, I initiated the Thimphu chapter of Urban Sketchers, an effort to foster local artistic communities. However, the internal conflict arose when faced with the question of encouraging art as a hobby or a potential livelihood for Bhutanese children. This dilemma inspired the inception of Sketch Bhutan, aiming to bring tourists to Bhutan not just for sketching and touring but for meaningful interactions with local artists.

The founding members of Urban Sketchers, Thimphu 

The founding members of Urban Sketchers, Thimphu 

At Shaba Primary, I brought them art supplies and sketchbooks sponsored by Bynd Artisan and a few friends.

At Shaba Primary, I brought them art supplies and sketchbooks sponsored by Bynd Artisan and a few friends.

Unique Focus of Sketch Bhutan
In contrast to conventional sketching experiences, Sketch Bhutan distinguishes itself by not solely emphasizing technical competencies. The primary goal is to offer participants the perfect travel sketching experience, allowing them to immerse themselves comfortably in the environment. This is facilitated by the presence of a professional tour guide and driver, providing a harmonious on-location group sketching experience.

Sketch Bhutan 2017

Sketch Bhutan 2017

Highlights of Sketch Bhutan 2018:
The tour showcased various highlights, including discovering a new sketching and painting spot at Tashichho Dzong. VAST Bhutan graciously hosted the group, with local students acting as models. Noteworthy moments included a spontaneous encounter with local children offering candies during sketching in Thimphu and the exploration of color theory and watercolor techniques in Punakha. The tour concluded with a visit to the iconic Tiger Nest at Paro.

Painting Tashichho Dzong 

Painting Tashichho Dzong 

Another successful run of portrait drawing at VAST Bhutan

Another successful run of portrait drawing at VAST Bhutan

Sangay and her friend Tshsten were our beautiful models

Sangay and her friend Tshsten were our beautiful models

The friendly children in Thimphu.

The friendly children in Thimphu.

Punakha Dzong. The most beautiful Dzong in Bhutan

Punakha Dzong. The most beautiful Dzong in Bhutan

Next Sketch Bhutan and Leadership Transition:
The future of Sketch Bhutan hinges on the interest of at least four participants who can register through the Drukasia tour agency. Bhutan's esteemed artist, Rajesh, a co-founder of VAST Bhutan, will take the lead in guiding future sketching sessions. Interested participants are encouraged to contact Drukasia for more information.

Phyllis sketching up at Tiger's Nest

Phyllis sketching up at Tiger's Nest

Rajesh, one of the finest artists in Bhutan will be leading Sketch Bhutan tours. Contact Drukasia to book your next sketching tour. 

Rajesh, one of the finest artists in Bhutan will be leading Sketch Bhutan tours. Contact Drukasia to book your next sketching tour. 

Learnings and Reflections: The narrative outlines the evolution of Sketch Bhutan over multiple trips, emphasizing personal growth and learning:

1st time:

  • The enchantment with Bhutan's landscape and the realization of a wish to paint the place.

  • An interesting exchange - my sketches featured on Drukasia's corporate calendar in return for a two-week trip to Bhutan.

Paintings featured in Drukasia's calendar

Paintings featured in Drukasia's calendar


2nd time:
Solo painting trip.

  • A solo painting trip led to unique encounters and opportunities, including a commissioned painting for Drukair and participation in a group show in Singapore.. 

Group show with Asha Karma and other VAST artists.

Group show with Asha Karma and other VAST artists.

3rd time:

  • A more extended stay in Bhutan involved teaching and volunteering at various schools.

  • Immersive experiences in local life and the founding of the Urban Sketchers, Thimphu chapter..

Teaching basic of drawing at VAST Bhutan

Teaching basic of drawing at VAST Bhutan

  • Assisted in founding the Urban Sketchers, Thimphu chapter. The subsequent year saw the founding members of Urban Sketchers, Thimphu, receiving invitations to participate in the Urban Sketchers Symposium held in Singapore.

Look for the Bhutanese in the group !

Look for the Bhutanese in the group !

4th time:

  • The initiation of Sketch Bhutan in collaboration with Drukasia, involving eight special participants.

  • Confronting challenges in running a successful traveling workshop, touching upon aspects such as cost, preparation, marketing, logistics, and teaching materials.

Sketch Bhutan 2017

Sketch Bhutan 2017

5th time:
Second Sketch Bhutan.

  • Successful handover of Sketch Bhutan to Bhutanese artist Rajesh.

  • Operations continue with increased frequency and the passing on of responsibilities.

  • Reflections on the impact of interactions with romance and the realization of a 'role-reversal' effect, gaining insight into personal predicaments and solutions.

Sketch Jakarta, April 2018 by erwin lian

Went for a short weekend trip to Jakarta and held a spontaneous sketching workshop there. Despite the short notice and zero advertising, we had a great turn-out. Special thanks to all my Indo Buckeye friends for their extended help and support. Shout out to Andre, Dino, James, Donald, Jeff and Hongy for their hospitality in Jakarta. 

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Cycling and sketching in Taipei by erwin lian

I embarked on a brief journey to Taipei, spanning from April 26 to April 29, where I seized the opportunity to indulge in sketching and cycling. Gratitude is owed to Paul Chui and Hughes Lu for generously lending me their Brompton bicycle for the duration of my stay. Although not my inaugural cycling experience in Taiwan, I was once again taken aback by the splendid cycling routes that Taipei City has to offer. The scenery is breathtaking, and navigating the city on a bicycle proved to be both enjoyable and convenient.

Took Flyscoot 889 red eye flight to TPE. Painted this in Changi Airport. I was to arrive in TPE at 5 30 am !!!!

Took Flyscoot 889 red eye flight to TPE. Painted this in Changi Airport. I was to arrive in TPE at 5 30 am !!!!

My first stop happened to be the lockers at Taipei Main Station. Had a heavy bag and Hotel check-in time is at 3 pm

My first stop happened to be the lockers at Taipei Main Station. Had a heavy bag and Hotel check-in time is at 3 pm

Nothing is opened at 7 so I decided to go to Visit Long Shan Temple and be among the earliest to make a wish.  Wish didn't come true..... YET

Nothing is opened at 7 so I decided to go to Visit Long Shan Temple and be among the earliest to make a wish.  Wish didn't come true..... YET

Then I headed up to Tamsui to meet Hughes. He's super duper nice and loaned me his black Brompton bike that is crazy decked out. Also guided me around and off I went from Tamsui down to Shilin area.

Then I headed up to Tamsui to meet Hughes. He's super duper nice and loaned me his black Brompton bike that is crazy decked out. Also guided me around and off I went from Tamsui down to Shilin area.

Crazy beautiful weather . I was super lucky.  The cycling route in Taipei is super nice.

Crazy beautiful weather . I was super lucky.  The cycling route in Taipei is super nice.

Entire cycling path runs along the river. 

Entire cycling path runs along the river. 

After Beitou , I found a spot to paint in the shelter. It was super nice.

After Beitou , I found a spot to paint in the shelter. It was super nice.

Half way there.

Half way there.

Somewhere near Beitou

Somewhere near Beitou

Then I sneaked out from Yuan Shan area and ride towards Shilin area.

Then I sneaked out from Yuan Shan area and ride towards Shilin area.

Somewhere near Dadao Cheng Pier. Another great spot to paint

Somewhere near Dadao Cheng Pier. Another great spot to paint

Like Seoul, Plenty of bridges and beautiful scenes. 

Like Seoul, Plenty of bridges and beautiful scenes. 

It is so so so beautiful at some spots,  I can't believe I was in Taipei.

It is so so so beautiful at some spots,  I can't believe I was in Taipei.

el_TPE_bike-20.jpg
I spent some time cycling around Dihua Street and thought I may bump into a dear friend there. 

I spent some time cycling around Dihua Street and thought I may bump into a dear friend there. 

el_TPE_bike-62.jpg
The power towers were interesting enough to earn a page in my sketchbook.

The power towers were interesting enough to earn a page in my sketchbook.

Baopiliao Old Street was quite a nice spot to paint as well. Interesting old buildings well preserved.

Baopiliao Old Street was quite a nice spot to paint as well. Interesting old buildings well preserved.

I sketched the Brompton in the hotel and gave this sketch to Hughes. Thankful to be able to ride his Brompton in Taipei. It would have been a lot more troublesome to bring mine.

I sketched the Brompton in the hotel and gave this sketch to Hughes. Thankful to be able to ride his Brompton in Taipei. It would have been a lot more troublesome to bring mine.

I enjoyed the new Taipei MRT to the airport. Its really comfortable and easy

I enjoyed the new Taipei MRT to the airport. Its really comfortable and easy

Flyscoot my way back to Singapore. Taipei will always have a special spot in my heart. 

Flyscoot my way back to Singapore. Taipei will always have a special spot in my heart. 

Finally got up the Mao Kong after numerous failed attempts.  Its quite a sight and I am glad I finally scaled up. 

Finally got up the Mao Kong after numerous failed attempts.  Its quite a sight and I am glad I finally scaled up. 

Thank you, Paul Chui and Hughes Lu from Bike Gang for sharing their Brompton with me.  Super grateful for all your hospitality and I look forward to your visit to Singapore :) 

An old sketch I did of Taipei from a hike up Elephant mountain.

An old sketch I did of Taipei from a hike up Elephant mountain.

INTERLACE, A Group Show Featuring The Sketchbooks of 20 Artists by erwin lian

INTERLACE will be concluding this weekend, on March 31, 2018. As I reflect on the past few weeks, during which I conducted several guided tours, I want to share some thoughts behind the creation of this sketchbook exhibition.

Guided tour at Bynd Artisan

Guided tour at Bynd Artisan

A heartfelt thank you to all the participating artists who have played a crucial role in bringing INTERLACE to life. This exhibition, featuring the works of 20 distinguished artists, is a testament to their support for The Perfect Sketchbook.

How did this start?
The concept originated from the recognition that a sketchbook encapsulates an artist's most intimate ideas and processes. With the belief that a high-quality sketchbook enhances artistic expression, I envisioned showcasing the works of our finest and most influential backers from The Perfect Sketchbook campaign. Recognizing the challenge of transforming this project into a sustainable business, I set aside books after each release and explored collaboration opportunities with galleries and museums. Despite facing rejections from galleries in America, I persisted. The breakthrough came when Winnie, the owner of Bynd Artisan, suggested hosting the show in their retail store. Although space was limited, the prime location promised substantial foot traffic. To offset shipping costs for the artists, we decided to sell the last 50 reserved copies of The Perfect Sketchbook B5 during the launch of our group show, INTERLACE.

To accommodate the unique format of the exhibition, which features 20 sketchbooks, we crafted custom frames. These frames not only securely held the sketchbooks but also allowed for easy page changes. For instance, if a sketchbook displayed 5 painted spreads, it had to be easily removable from the frame for flipping to the next page and seamless reinstallation.

For more in-depth insights into the exhibition, you can find a detailed interview on James Gurney’s blog at
http://gurneyjourney.blogspot.sg/2018/03/sketchbook-exhibition-in-singapore.html

Who are these 20 artists?
They are all backers of The Perfect Sketchbook and their complete profiles can be found in this PDF file

James Gurney (http://jamesgurney.com)

The Perfect Type Writer by James Gurney

The Perfect Type Writer by James Gurney

One of the most prolific plein-air painter in this world. New York Times best-selling author of The Dinotopia Series and author of the book Colors and Lights. I was really fortunate to receive
his support when I first launched The Perfect Sketchbook on Kickstarter. James was generous enough to share my project with his audiences and play a crucial role with success of The Perfect Sketchbook

Nathan Fowkes (http://www.nathanfowkesart.com/)

Jerusalem by Nathan Fowkes

Jerusalem by Nathan Fowkes

A veteran in the entertainment industry with credits in more than 11 feature films. His work is amazing and I am a fan. Super fortunate to receive his support and was completely over the moon when he agreed to participate in our group show.

Catherine Hamilton (http://mydogoscar.com/birdspot/)

Purple Gallinules by Catherine Hamilton

Purple Gallinules by Catherine Hamilton

Catherine's exquisite paintings and studies of birds caught my attention. She’s an ambassador for Zeiss and travels around the world studying birds.

Marvin Chew (https://www.marvinchew.com/)

Shop houses along Kreta Ayer Road by Marvin Chew

Shop houses along Kreta Ayer Road by Marvin Chew

Former vice-president of The Singapore Watercolor Society. Marvin’s work is well known in Singapore and he has been supportive of The Perfect Sketchbook since the first edition.  During our Indiegogo campaign, Marvin shared professional tips on using watercolor.

Don Low (http://www.donlow-illustration.com/)

Chinatown by Don Low

Chinatown by Don Low

One of the most underrated artist in Singapore who is well versed in just about any medium.


Isabella King (http://isabellakung.com/)

Crystalized by Isabella Kung

Crystalized by Isabella Kung

An award-winning children book illustrator based in San Francisco.  Talented and helped share The Perfect Sketchbook campaign to people in North Cal.

Jerome Moo (http://jeromemoo.com/)

Inverlocy Art School by Jerome Moo

Inverlocy Art School by Jerome Moo

I got to know Jerome because he backed the most B5 Sketchbooks and caught my attention. I later learn that he worked at Lucasfilm and is a great Plein-air painter. He now works as a senior matte painter at Weta Digital in New Zealand

Justin Pastores (http://www.justinpastores.com/)

Collector no.7 by Justin Pastores

Collector no.7 by Justin Pastores

One of my earliest instagram follower whom I noticed to have great work and paints diligently. He’s been a great supporters for all our sketchbook.

Audrey (https://www.instagram.com/audrey_ish/)

The Subjective Vertical by Audrey

The Subjective Vertical by Audrey

Audrey and I partnered on a few business ventures in the past and most of the inspirations for The Perfect Sketchbook were extracts from her. A pivotal supporter and an amazing artist with a passion in animation and dance.

Tracy Lewis (http://www.tracylewisart.com/

Risk to Blossom by Tracy Lewis

Risk to Blossom by Tracy Lewis

An amazing watercolorist who is known for her transparent watercolor with a candy coat of Easter-like color.  Beautiful work that also caught my attention when I noticed how she painted.

Fawn Veerasunthorn (https://www.instagram.com/fawnv/)

Year of the Dog by Fawn Veerasunthorn

Year of the Dog by Fawn Veerasunthorn

Known for her amazing storyboard work in numerous Disney Featured Films. I was lucky to have gone to school with her and managed to garner her support during The Perfect Sketchbook Campaign.

Ryan Green (https://www.instagram.com/ryangreenart/)

Bah by Ryan Green

Bah by Ryan Green

Husband of Fawn. Ryan also worked at Disney featured film and saved Hei Hei from getting killed in the movie, Moana. Super fortunate to have gotten his support early on during our Kickstarter Campaign. He paid attention to my campaign and advised me to disengage with adversary early on during our campaign.

Hiroshi Hayakawa (http://www.hiroshi-hayakawa.com/

Vanitas by Hiroshi Hayakawa

Vanitas by Hiroshi Hayakawa

My talented Photography Professor from Columbus College of Art. He supported heavily when our kickstarter was literally stuck and not making it. Hiroshi is also well versed in traditional medium and is the author of a series of Kirigami books.

Nathaniel Underwood (https://www.instagram.com/nathaniel_underwoodart/

Composition 3 by Nathaniel Underwood

Composition 3 by Nathaniel Underwood

Painting buddy from Columbus College of Art who supported my Kickstarter and is an amazing painter currently represented by Sharon Weiss Gallery in Columbus

Iuri Lioi (http://www.iurilioi.com/

Desert Symmetries by Iuri

Desert Symmetries by Iuri


Visual Development Artist at Dreamworks. I know Iuri from Graduate School at The Ohio State University but knew he was such a good painter until I saw his work in The Perfect Sketchbook.

Anthony Francisco (https://www.instagram.com/anthony_francisco_art/

Baby Groot dances by Anthony Francisco

Baby Groot dances by Anthony Francisco


Known for his involvement with Marvel Comic Universe. Anthony is a Visual Development Concept Artists at Marvel.  Was fortunate to receive his support during our first kickstarter.

Namchai Saensupha (https://www.instagram.com/namchai_sketches/)

Nov 27 by Namchai

Nov 27 by Namchai


An Architect from Thailand who caught my attention with his amazing watercolor landscapes.
One of my favorite artists when it comes to style and attitude.

Steve Mitchell (http://stevemitchelldesign.com/)

Transparent watercolor by Steve Mitchell

Transparent watercolor by Steve Mitchell

A prominent Youtube Artist with the channel, Mind of Watercolor. I approached Steve during my Indiegogo campaign was very fortunate to receive his support. He was generous enough to share my campaign with his audiences.

Jackson Dryden (https://www.instagram.com/drydenart/)

Transformation of a Diety by Jackson Dryden

Transformation of a Diety by Jackson Dryden

 

An amazing artist with a passion for sketchbooks. Jackon caught my attention when it comes to stylization and skills.

The question of "WHY?" looms large. I embarked on this journey to prove to myself that greatness is not confined to wealth or fame. Traveling the world, creating our own products, and hosting a group show with limited capital—these accomplishments are a testament to what can be achieved with determination and support. The show, the sketchbooks, and the travels have provided profound insights into my delusional thoughts about art, business, and life. I am sincerely grateful for the unwavering support I have received from everyone along the way.

 

 

4 days of sketching and cycling Taiwan by erwin lian

Participated in Taiwan's Brompton World Championship racing event last weekend at Chang Hua and decided to extend my stay for a few days, indulging in some sketching and cycling adventures.

Tools of the Trade:
1) My Brompton
2) A pocket sized Accordion Moleskine.
3) Clutch Pencil, Kneaded eraser and a sharpener

Day 1:
Commenced my journey from the hotel near Taipei Main Station to Dihua Street with the intention of sketching the beautiful buildings. However, I found myself cycling aimlessly until I stumbled upon a stunningly lit building.

The lights falling off this building and trees caught my attention.

The lights falling off this building and trees caught my attention.

Sketch of a Street Scene near Dihua Street.

Sketch of a Street Scene near Dihua Street.

Rode up north and cycled along the river near Shilin. 

Saw a dead bird when I cycle back to Taipei Main Station.

Saw a dead bird when I cycle back to Taipei Main Station.

Stop by Yuan Shan to attend a figure drawing session. Model switch poses like clockwork. 5 minutes, clock vibrates and she switched.  There's a rather distinctive Taiwanese feature on her and I couldn't pin down what it is. 

Made a pit stop at Yuan Shan to participate in a figure drawing session. The model seamlessly transitioned between poses every 5 minutes, revealing a distinctive Taiwanese feature that intrigued me.

Visited CCH Studio for another figure drawing session, enjoying a lively atmosphere and friendly fellow artists, including a retiree. The studio was packed, and the instructor's warm welcome made the experience memorable

Day 2 : Early morning cycling along Tamshui and exploring the market.

tamsui.jpg
My Sketching Companion & Tools 

My Sketching Companion & Tools 

Stop by Jian Tan and noticed that the shops have changed from a few years ago. New bicycle shops and this Louisa Coffee Cafe

Stopped by Jian Tan and noticed the evolution of shops, including new bicycle stores and the addition of a Louisa Coffee Cafe.

Day 3:
With a slight drizzle in Taipei, I decided to escape to Taichung via HSR. After reassembling my bicycle, I enjoyed some local Milk Tea at an 85c Cafe. Sketched scooters before embarking on a cycling journey to Taichung Confucius Temple, capturing the scene in just 30 minutes.

Taiwan's national commute = The Scooters. Their daily dosage of hugs and snuggles.

Taiwan's national commute = The Scooters. Their daily dosage of hugs and snuggles.

confucious.jpg
Got to rest early before I take part in the cycling race tomorrow at Chang Hua 

Got to rest early before I take part in the cycling race tomorrow at Chang Hua 

Gotta look sharp when riding a bicycle in Taiwan. 

Gotta look sharp when riding a bicycle in Taiwan. 

Day 4: Brompton World Championship day at Chang Hua

Didn't bring a cover and was hoping to not get caught in the Train.. hehe lucked out 

Didn't bring a cover and was hoping to not get caught in the Train.. hehe lucked out 

Woke up early to take the local train to Taichung HSR but mistakenly hopped on an express train, traveling beyond my intended destination to Zuoying. Embracing the unexpected, I jumped on the next train north, reaching the race on time. Surprisingly, no extra charges were incurred—an unintentional round-island adventure on the HSR.

I made it to the race on time, after all !

I made it to the race on time, after all !

Race of 12 Km and the fastest guy finished in about 19 minutes. 

Race of 12 Km and the fastest guy finished in about 19 minutes. 

My entire trip in a piece :) 

My entire trip in a piece :) 

In summary, a fantastic trip filled with gratitude to all my Taiwanese friends who joined me and made the experience memorable

Cycling from Seoul to Busan ( 4 rivers cycling pathway) by erwin lian

 

Sept 5.  2017
I packed my tiny bicycle and flew to Korea. 

Needed to discard more stuff for the trip.  Excess baggage is bad.

Needed to discard more stuff for the trip.  Excess baggage is bad.

This was a rather spontaneous trip and a much needed one for me to clear some matters off my head.  Besides, I enjoy being out and about, getting lost and figuring my ways around. It’s something I always wished I could do in college but was never financially capable. Given my present good health, a bit of saving and plenty of down-time from work, I thought it was high-time I complete these to-dos.

Brompton all packed and ready 

Brompton all packed and ready 

Flight to Seoul. Quite a pleasant flight.

Flight to Seoul. Quite a pleasant flight.

Not really a sketching trip:
Since I wanted to pack as little as possible, I only managed to bring a tiny sketchbook and broke a few decent brushes to fit them into a small hard-case.  To shrink everything down, I brought 2 tiny plastic cups and used them as water containers. With two set of cycling attires, some washing detergent, I am off to Korea’s 4 rivers cycle path way.  My goal is to reach Busan from Incheon via her dedicated 600+km cycling path. I had about 7 days to do so and did not plan much. Fortunately, I found someone’s itinerary on google map and it was super nifty. Thanks John Graham
 

Map I found online that got me through the entire trip.

Map I found online that got me through the entire trip.

Day 1:
I woke up around 8/9 am and took the airport train to Cheongna In’t City Station. Inflated my tires and proceeded to the starting point at Ara West Sea Lock. I also bought a mini passport to collect all the stamps along the way.

Journey of a 1000 miles began with one step. Starting point at Ara Lock 

Journey of a 1000 miles began with one step. Starting point at Ara Lock 

Today, I rode more than 60km to Seoul and stayed overnight in a motel near Gil-Dong. It rained a little but thankfully not too heavy and I managed to arrive safely.  Daily routine of washing clothes began...

Rained a little but I got to Gil Dong.

Rained a little but I got to Gil Dong.

Day 2:
Rode about 100 Km today towards Yeoju and passed by the city of Hanam to arrive at Sun Valley Hotel in Yeoju. It’s a water theme-park hotel and costed a little more but I thought there would be a nice view for me to do some sketching. Passed by numerous tunnels built specially for cycling today; It was spectacular.

Check into Sun Valley hotel with a super nice view of the river and did a sketch 

Check into Sun Valley hotel with a super nice view of the river and did a sketch 

Day 3:
Woke up super early today at 6 to start my ride at 7.  It was a little foggy and I met Gaith from Canada and Mangi from Korea during today’s ride. We rode about 100km to Suan Bo. At first, I was feeling ambitious and wanted to try for 150 km.  Mangi laughed and didn't think I can make the distance. I forgotten that I will be facing some serious elevation pass Suan Bo until Gaith busted out his maps and discussed about the journey ahead. We reached Suanbo and I checked into a hot spring hotel.  Suan Bo was a quiet town with a bunch of restaurants and hot spring motels.

Met Gaith and Mangi along the way. Mangi was super nice and paced down to accompany me all the way to Suan Bo. I felt bad slowing him down.

Met Gaith and Mangi along the way. Mangi was super nice and paced down to accompany me all the way to Suan Bo. I felt bad slowing him down.

Checked into Suan Bo

Checked into Suan Bo

Day 4:
Woke up at 6 and started my ride a bit before 7. It was super foggy and the climb started right after away. There were a few teaser climbs before the eventual climb…500 metres over a stretch of 5km. The down ride was superrrrrr fun.

Climbing is always a struggle and more so if you are fixated with the thought of pain.

Climbing is always a struggle and more so if you are fixated with the thought of pain.

I reached the peak eventually :) It was gorgeous. 

I reached the peak eventually :) It was gorgeous. 

I eventually made it to the top.  It was a really pleasant feeling and I wanted to hang out there for a little more but have some serious distance to go .

I eventually made it to the top.  It was a really pleasant feeling and I wanted to hang out there for a little more but have some serious distance to go .

It took me a while and I struggled a little with my tiny bike. Since I don’t know where I am going and how far it will take, I throttle ahead.Eventually I reached the peak.

This stretch from Suan-Bo toward Mueng Yong is the most beautiful . It also happen to be the most strenuous. I don't know if they planned it that way. 

This stretch from Suan-Bo toward Mueng Yong is the most beautiful . It also happen to be the most strenuous. I don't know if they planned it that way. 

100 km later, I reached Nakdong-Ro at about 5pm and check into a small love motel. Those funky lights they had in these love motels were awful. Accidentally, I flipped them on a few times and thought I entered a haunted house. It was funny.

Day 5:
Mega foggy day. Though I intended to ride down to Hyeongpung-Myeon, I realized from the weather forecast that I may be cycling into a thunderstorm. The forecast indicated 95% rain. Decided to jettison today’s destination and cycled into Daegu. Checked into a nice hotel and will take the KTX (bullet train) to Busan tomorrow. That way, I can spend an entire day in Busan. One free day in Seoul too.

Checked into a hotel in Daegu and got upgraded to a suite.  Super good sleep

Checked into a hotel in Daegu and got upgraded to a suite.  Super good sleep

Best sleep through the journey. No funky lights in this hotel :P 

Best sleep through the journey. No funky lights in this hotel :P 

Day 6:
It poured in Daegue and the forecast was right. It rained all through Busan. Managed to jump onto the subway, then KTX and kept myself mostly dried.

Haedong Yonggunsa is so sublime. I paid my respect to the Buddha here and thank everything for the safe journey. I got lucky and saw the storm from the distance. 

Haedong Yonggunsa is so sublime. I paid my respect to the Buddha here and thank everything for the safe journey. I got lucky and saw the storm from the distance. 

When the rain stopped in Busan, I hopped onto the subway and cycled to Haedong Yonggunsa, a 14th century seaside Buddhist temple. It was magnificent and I speed sketch a little of the coast.  Fukuoka (Japan), from what I remembered is just about a boat ride from Busan.

A quick sketch in The Perfect Sketchbook pocket

A quick sketch in The Perfect Sketchbook pocket

 

Spend the night feasting sashimi at Jagalchi Market. Kind of crazy to be chewing down moving octopus.

Checked out Gamcheon Cultural Village before I set off to Seoul . I envy artists from abroad having spaces to work their craft. I read that there are lot of artists who lived out here. 

Checked out Gamcheon Cultural Village before I set off to Seoul . I envy artists from abroad having spaces to work their craft. I read that there are lot of artists who lived out here. 

 

Day 7:
Took the KTX back to Seoul. Cycle a little through the city to stayed near Hongdae. Lots of hills in Seoul but it was quite fun to cycle through the back alleys and narrow streets. Eventually, I reached my hotel room and explored the nearby universities and fashion streets.

Finally got to sketch Seoul a little. 

Finally got to sketch Seoul a little. 

Day 8:
Time to ride back to Incheon from Seoul. Today I got more time to sketch along the way and did a few tiny sketches before eventually resting in a hotel at Incheon. My cycling trip is finally over.

Finally some time along the cycling path. 

Finally some time along the cycling path. 

Farewell Seoul :) 

Farewell Seoul :) 

How I tripped in a Vipassana retreat and realized that its a cult by erwin lian

On December 20th, I embarked on a Vipassana 10-day silence meditation retreat, a decision rooted in personal growth. This unconventional experience required surrendering valuables, maintaining silence, and adhering to a strict schedule—complete with early wake-ups, 10 hours of meditation, and limited meals. No contact with the outside world, even eye contact, was allowed, adding a unique layer of challenge. As someone who has explored various places, this marked the first time I was without my sketchbook, making it a particularly demanding undertaking.

Photo by fcscafeine/iStock / Getty Images

Photo by fcscafeine/iStock / Getty Images

Founded by S.N. Goenka, the Vipassana group operates globally, relying on donations and volunteers. Although claiming to be secular, it predominantly aligns with Buddhism, as interpreted by Goenka through recorded sessions. The retreat segregates genders, employing DVDs and recordings for meditation guidance, with minimal verbal interaction permitted. My introduction to Vipassana came through a friend, Karla, and my interest in mindfulness led me to embrace this seemingly cultish experience.

Photo by selimaksan/iStock / Getty Images

Photo by selimaksan/iStock / Getty Images

Here's a chronological account of my journey:

Photo by CREATISTA/iStock / Getty Images

Photo by CREATISTA/iStock / Getty Images

Day 0-

Took an ATR from Singapore for the first time

Took an ATR from Singapore for the first time

I boarded a Firefly ATR prop plane from Singapore, bound for Malaysia's Dharma Centre. Having enrolled in the program, I arrived in Kuantan, where the center is graciously situated on land donated by a prosperous family managing a plantation and adjacent hotel. At the Kuantan airport, I encountered two volunteer servers who joined me in a cab to the center. Both Paul and the other lady had participated in Vipassana more than six times. In our conversation, they candidly forewarned me about the challenging nature of the retreat.

Upon arrival, we were greeted with the commencement of noble silence, marked by the signing of an agreement form. Emphasizing adherence to the rules, we surrendered our 'contrabands'—phones, passports, money, wallets, and the like—before being assigned to our modest rooms. The accommodations featured a small, basic space with a thin mattress, a pillow, and a bathroom equipped with a cold running shower. For hot water, a communal pail was available outside. Additionally, a meditation seat was provided in each room. Daily program outlines were posted outside the cafeteria, indicating whether students could remain in their rooms for self-meditation or gather in the hall for instructions.

The hall we meditated in

The hall we meditated in

Rooms we slept in

Rooms we slept in


Day 1 –
I was pleasantly surprised to find that I could sleep the night before, only to be abruptly awakened by a rather annoying siren at 4 am—an intense 'Gong' that resounded about 10 times with each activation. Its purpose was to signal the beginning of either a meditation or meal session, becoming increasingly hypnotic after repeated exposure throughout the day.

On the first day, our instruction centered on Anapana, a practice involving observing the sensation of breath in and out of our nostrils. The focus area for observing this sensation would gradually decrease over the next three days.

As I closed my eyes to meditate, my monkey mind kicked into high gear, leading me into a whirlwind of random thoughts, ideas, and fantasies. The sheer randomness made me question my sanity. By the end of day 1, I found myself mentally exhausted, plagued by a raging headache, and experiencing pain throughout my body.

Despite contemplating leaving, I decided to give the experience a bit more time. Each day, before the conclusion of our final meditation session, a discourse ensued, accompanied by a recorded video of S.N. Goenka teaching Dharma. Initially entertaining, these sessions evolved into subtle mockery of other religions and beliefs in the subsequent days. Goenka, a charming figure, seamlessly integrated humor into various Buddhist teachings, transforming the room of quiet attendees into a space filled with laughter. I couldn't help but wonder if laughter was considered a violation of noble silence.

Day 2 -
My sleep quality took a nosedive. I found myself back in the metaphorical boxing ring, and on this particular day, we honed in on our breathing sensations, focusing from the area around our nostrils to the upper lips. Strangely, my monkey mind decided to take a break. Instead, when I achieved moments of calmness and focus, my mind would seamlessly drift into a subconscious or light non-REM sleep state. Describing this transition proves challenging due to its smooth and elusive nature.

Frustrations mounted as I questioned why my willpower seemed incapable of aligning with my intentions. During one episode, I slipped into my subconscious, realizing I was in a dream state with vivid imagery of stirring a spoon in a cup. Upon waking, I discovered that my physical hand had mirrored the dream motion. The experience was undeniably trippy.

By day's end, a slight headache had set in, and I struggled to find rest at night. Even when it felt like I had drifted into sleep, my alertness persisted. It's akin to the sensation of experiencing super-long and slow breaths during sleep, with an added layer of vigilance to each inhalation. The roles of my conscious and subconscious mind seemed to have mysteriously flipped.

Day 3 -
I awoke with barely any sleep, feeling incredibly fatigued but oddly not sleepy. The day's meditation instruction directed us to focus on the sensation around our upper lips. However, my experience took an unexpected turn as I found myself repeatedly drifting into my subconscious, feeling like things had gone haywire. Seeking guidance, I approached the teacher, who advised taking breaks, washing up, and resisting these mental intrusions. Despite my willpower being on full throttle, exercising control proved elusive.

When I inquired about my sleep deprivation, the teacher nonchalantly mentioned that meditators don't need much sleep and urged me not to worry. Frustration mounted as I struggled to stay awake during meditation, often dozing off within minutes. In one instance, I found myself walking a dog in a dream, only to realize upon awakening that my subconscious was steering the ship. Behind me, another participant displayed equal frustration, resorting to repeatedly hitting his head when nodding off. I yearned to connect with him, but later discovered he had left the retreat, discreetly facilitated by the management to avoid influencing others to quit. This observation hinted at manipulative and psychological factors embedded in the design of the retreat.


Day 4 -

We concluded the Anapana phase, marking the official commencement of Vipassana meditation. According to Goenka, the initial three days served as preparation for our 'mental surgery.' The core concepts were straightforward:

We had lost touch with the subtle vibrations occurring within our changing form, referred to as Chi, chakra, or sensations in the context of Vipassana. Goenka asserted that Buddha traced suffering back to our attachments to pleasures and aversions, prescribing equanimity as the solution.

Through meditation, we sought to recondition ourselves to feel these sensations.

Avoiding labels for these sensations was crucial, as attaching labels equated to fully developed concepts, fostering attachment.

Once we could feel these sensations throughout our body, the directive was to observe them without labeling as good or bad—an analogy to accepting our ever-changing realities.

A pivotal moment unfolded in my meditation today. We were tasked with three sittings, maintaining a pose without movement for an hour. This ritual aimed to awaken our senses and cleanse past misdeeds. Skeptical of my ability to sit still, I continued to grapple with my subconscious. Before lunch, a revelation struck—I had been projecting my breathing onto an imaginary self. This realization, that our self-image is revealed laterally inverted through a mirror, prompted contemplation on how harshly I treated my subconscious. It dawned on me that it was time to be kind to myself.

Returning to the meditation seat in the afternoon, I finally succeeded in meditating without falling asleep. Despite persistent pain throughout my body, my subconscious began cooperating. Later, we were guided to shift our focus to the top of our head, and though initially challenging to catch the accent, I mistakenly thought we were instructed to focus on the top of our hip. To my surprise, this adjustment induced a cooling sensation sweeping down to my hip, intensifying the experience. The day concluded on a positive note, with a sense of accomplishment, and I enjoyed a better night's sleep.



t.

Day 5 -

Today's practice involved sweeping the focus from the top of our head to the bottom of our feet, observing without reacting to the rising and dissipating sensations. Remarkably, I successfully felt these sensations, maintaining equanimity and not moving an inch during the three lock-down sessions, each lasting an hour. It marked my inaugural experience of mind over matter. The excruciating pain in my legs and back transformed into mere sensations that rose and passed away.

During one session, a mosquito landed on my finger, extracting a bunch of blood, yet all I perceived with closed eyes was a robust sensation. Without categorizing these sensations as pain or pleasure, I remained oblivious to what was happening until the session concluded. However, that night, I developed a severe headache. As I lay down to sleep, an intense pressure on my face persisted. Surrendering to the stretching pain, I somehow managed to fall asleep for a few hours. Unfortunately, these discomforting sensations during sleep continued and intensified over the subsequent days.

Day 6 -
The meditation continued smoothly, yet a lingering sense of unease pervaded my experience, and I couldn't identify the source. Was I inadvertently projecting my imagination into my practice, causing issues? Despite this uncertainty, I persevered with the meditation, following the escalating instructions to channel focus on the body.

At night, the persistent stretching sensation on my face returned, disrupting my ability to sleep. I could only manage a few hours of rest by lying on my back. The increasing asymmetry of this sensation alarmed me, and concerns about it being a potential warning sign of a stroke started to intensify.

Day 7 -
I came to the realization that, while scanning my body parts, I was still projecting imagery in my mind. Doubts about whether this was imagination crept in, prompting me to seek clarification from my teacher. He advised me not to look for sensations but to sense them. Expressing my confusion, I asked how one could know the location of the arm without imagining it first. In response, my teacher emphasized that if the eyeballs were moving during the practice, it was not the correct approach and might be contributing to my headache and stretching pain.

As an artist, I explained that it was challenging for me to prevent my eyeballs from moving in my mind while scanning from head to toe. This realization led me to understand that, no matter how hard I tried, it was impossible to stop my eyeballs from searching for a placement. Surprisingly, I wasn't frustrated; instead, I welcomed this insight, though I wished for relief from my persistent headache. The stretching sensation on my face intensified during the night when I relaxed my facial muscles, and I struggled with difficulty breathing.


Day 8 –
I made the decision to leave the retreat that day. Despite the teacher's insistence that the sensations I experienced were positive signs of past bad deeds being eradicated through Vipassana meditation, I couldn't shake the feeling of being in a cult. Another theory suggested by the teacher was that heightened sensitivity during Vipassana practice might reveal underlying medical issues, potentially signaling a stroke. Concerned about my health, I questioned whether completing the retreat was worth the risk.

Expressing my understanding of equanimity, I stood firm in my decision to leave. The teacher continued to insist that I was giving up, solidifying my belief that this environment had cult-like qualities. They reluctantly allowed me to pack up discreetly, instructing me to wait in my room until the other students were in the meditation hall to avoid drawing attention to my departure. I left with a cab at 1 pm, with Hiroshi, a fellow participant, joining me in breaking the noble silence.

We shared our experiences, laughed, and discussed the surreal nature of the retreat. Hiroshi, a scientist from Singapore, revealed that he had been silently suffering from bug stings, which I had mistaken for an air freshener. After parting ways, the cab took me to Kuantan Sentra Terminal, where I found my way to Kuantan city, checked into a hotel, and took a warm shower. Despite checking in, sleep eluded me that night.

The next morning, I decided to return to Singapore earlier than planned, enduring an unpleasant bus trip that took over 8 hours. The peculiar stretching sensation on my face persisted, prompting me to see a doctor upon reaching home. After checking my blood pressure and heart rate, the doctor prescribed sleeping pills, providing some relief as I finally managed to fall asleep at 11 pm after a restless night.

 

My only sketch done in Kuantan

My only sketch done in Kuantan

8 hours of bus ride back to Singapore !

8 hours of bus ride back to Singapore !

Photo by cyano66/iStock / Getty Images

Photo by cyano66/iStock / Getty Images

What did I learn from this experience?

  • Danger of Unsupervised Mind Activities:
    Prolonged engagement in intense mental activities without proper guidance can be risky

  • Complexity of the Mind:
    Our minds are delicate and intricate, influencing thoughts, perceptions, emotions, and sensations.

  • Nuances of Breathing:
    Breathing is a nuanced process, involving movement, rhythm, speed, and factors like food, thoughts, and ideas, impacting our well-being.

  • Power of Silence:
    Silence allows us to hear ourselves and reveals our judgments and assumptions about others, emphasizing the importance of positive self-dialogue.

  • Addiction Awareness:
    The retreat highlighted the addictive nature of activities like checking news and social media, prompting reflection on time lost to such habits.

  • Equanimity Beyond Beliefs:
    While not subscribing to religious or pseudoscientific claims, I appreciated the concept of equanimity in S.N. Goenka's teachings.

  • Creativity in Religion:
    Religion is seen as the pinnacle of human creativity and art, being conceptual, intangible, and capable of uniting or dividing.

  • Economic Perspective:
    In the absence of entertainment, clothing became my economy, emphasizing the importance of resource management and planning.

  • Shower as Purification:
    The shower became a source of joy and relief in the restrictive environment, symbolizing the cleansing and non-judgmental nature of water.

  • Kindness to Oneself:
    Treating oneself well, both mentally and physically, contributes to a more tolerable and positive perception of the world.

  • Acceptance of Change:
    Embracing the inevitability of change in oneself and others can lead to a more positive and adaptable life.

  • Perspective on Reality:
    Different perspectives on a spilled milk bottle reflect the subjectivity of life circumstances and choices.

  • Vipassana Techniques Variation:
    S.N. Goenka's Vipassana technique differs from others, and caution is advised due to injected personal theories that may impact participants.

  • Commitment vs. Attachment:
    Distinguishing between commitment and attachment is crucial; one can commit to an endeavor without being attached to specific outcomes.


    In summary, the experience emphasized the need for balance, self-kindness, and a nuanced understanding of the mind and its activities. It also highlighted the potential risks associated with intensive practices without proper guidance.

  • The whole experience felt a little like watching Black Mirror on netflix without a super horrifying ending.

The song I unconsciously been whistling to when I was alone in my room. 

Maybe its time to try some hypnosis ?

In Transit 2016 by erwin lian

In-Transit

Sep 01, 2016.

During this trip, I reconnected with numerous friends and organized a show at Curt’s newly opened tattoo shop, Enso Tattoo. My journey hit a snag when my flight was delayed in Hong Kong due to adverse weather conditions. Upon reaching Dallas, I missed my connecting flight to Ohio. Fortunately, there was another flight scheduled for CMH, and I arrived around 2 am on Thursday night.

Jet lag gripped me, and sleep eluded me as I worked with Curt to set up my show until midnight on Friday. Despite feeling completely exhausted on Friday night, the In-Transit exhibition was slated to open on Saturday, and we had to frame and hang 29 paintings.

Eventually we succeeded and put everything up right before Gallery Hop !

Eventually we succeeded and put everything up right before Gallery Hop !

A pleasant surprise awaited me when one of my backers, Cassandra from The Perfect Sketchbook, informed her mother about my show on Saturday. Interestingly, Cassandra, now residing in France, originally hailed from Columbus, Ohio. Her mother purchased a painting before the official opening of the show.

The Herculean task of framing and displaying 29 paintings within 48 hours wouldn't have been possible without the invaluable assistance of my incredible friends. Special thanks go to Daniel Painter (Decal), Curt Everitte (everything), Joe Galati (Cutting Matts and frames), and Nathaniel Wood (Cutting Mattes and frame).

 

Taught a watercolor workshop to a bunch of Tattoo Artists and Enthusiast at Enso Tatto 

Taught a watercolor workshop to a bunch of Tattoo Artists and Enthusiast at Enso Tatto 

The show successfully opened on Gallery Hop night, despite moderate attendance due to an Ohio State game. Nevertheless, I was thrilled to reconnect with many college friends and professors, experiencing a genuine sense of belonging. Realizing I hadn't done much to promote the show, Professor Hiroshi suggested I email the Columbus Dispatch. To my surprise, they responded, featuring a full front-page article in the life section, resulting in additional sales.

Interview by The Columbus Dispatch 

Interview by The Columbus Dispatch 

Speaking at CCAD 

Speaking at CCAD 

Thanks to Charlotte, I had the opportunity to address an audience of about 100 students at The Columbus College of Art in the Cazani auditorium. There's so much I want to express, but the most significant aspect is not my paintings or crowdfunding projects but the incredible friends in America who supported me through college and life; they are my family. Special thanks to Dr. Chilin Yu for her wisdom and the Yue family and CaregiverUSA for providing shelter in Columbus, Ohio.

I didn't have much advertising. So we printed a bunch of cards and we just try to plaster as much as possible, wherever possible. (bad idea).. Here's one at CCAD. I didn't get approval because I was out of time. 

With minimal advertising, we printed cards and attempted to spread the word as much as possible, including a spontaneous placement at CCAD without approval due to time constraints—a decision that proved to be less than ideal.

The Yue Family provided shelter and cycling ! Thank you 

The Yue Family provided shelter and cycling ! Thank you 

We cycled to the zoo to sent Nora away. 

We cycled to the zoo to sent Nora away. 

Then one day, I just rent a car and gun it all the way to Canada to see this. 

Then one day, I just rent a car and gun it all the way to Canada to see this. 

Went Plein-air with Curt at The Hocking Hills. Listened to radiolab on the roads.

Went Plein-air with Curt at The Hocking Hills. Listened to radiolab on the roads.

My painting at Hocking hills. 

My painting at Hocking hills. 

she was an amazing model .

she was an amazing model .

Cleveland Musuem of Art is one hell of an impressive musuem 

Cleveland Musuem of Art is one hell of an impressive musuem 

Met a gentlemen who works for a major eCommerce store when I was sketching here. He offered some freelance work. 

Met a gentlemen who works for a major eCommerce store when I was sketching here. He offered some freelance work. 

After Ohio, I flew to California for a two-week visit, catching up with West Coast friends and finally experiencing Yosemite. My gratitude goes to Youn and Hao for making it possible, and special thanks to Janice and Pencil Cafe for convincing me to visit. I cherish you all.

Yosemite is for real. 

Yosemite is for real. 

Pencil Cafe is my Favorite Cafe. 

Pencil Cafe is my Favorite Cafe.